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    Zadok the Priest, HWV 258, G.F. Handel
    Zadok the priest
    And Nathan the prophet
    Anointed Solomon king
    And all the people
    Rejoiced, and said
    God save the king
    Long live the king
    God save the king
    May the king live forever
    Amen, Alleluia
    Regina Coeli, K. 276, W.A. Mozart
    Regina coeli, laetare, alleluia.
    Quia quem meruisti portare,
    alleluia.
    Resurrexit, sicut dixit, alleluia.
    Ora pro nobis Deum, alleluia.
    Queen of Heaven, rejoice, alleluia.
    For He whom you did merit to bear,
    alleluia.
    Has risen, as he said, alleluia.
    Pray for us to God, alleluia.
    Mass in C, K. 317 “Coronation”, W.A. Mozart
    I. Kyrie
    Kyrie eleison.
    Christe eleison.
    Kyrie eleison.
    Lord, have mercy.
    Christ, have mercy.
    Lord, have mercy.
    II. Gloria
    Gloria in excelsis Deo,
    Et in terra pax hominibus bonae
    voluntatis.
    Laudamus te, benedicimus te,
    Adoramus te, glorificamus te.
    Gratias agimus tibi propter magnam
    gloriam tuam.
    Domine Deus, Rex coelestis,
    Deus Pater omnipotens.
    Domine Fili unigenite, Jesu Christe.
    Domine Deus, Agnus Dei, Filius
    Patris.
    Qui tollis peccata mundi,
    Miserere nobis.
    Qui tollis peccata mundi,
    Suscipe deprecationem nostram.
    Glory to God in the highest,
    And peace on earth to men of
    good will.
    We praise You, we bless You,
    We worship You, we glorify You.
    We give You thanks for Your great
    glory.
    Lord God, King of Heaven,
    God the Father Almighty.
    Lord only-begotten Son, Jesus Christ.
    Lord God, Lamb of God, Son of the
    Father.
    You who take away the sin of the world,
    Have mercy on us.
    You who take away the sin of the world,
    Hear our prayer.
    Qui sedes ad dexteram
    Patris,
    miserere nobis.
    Quoniam tu solus sanctus, tu solus
    Dominus,
    Tu solus altissimus, Jesu
    Christe.
    Cum Sancto Spiritu in gloria
    Dei Patris, Amen.
    You who sit at the right hand of the
    Father,
    have mercy on us.
    For You alone are holy, You alone are
    Lord,
    You alone are the Most High, Jesus
    Christ.
    With the Holy Spirit in the glory of God
    the Father, Amen.
    III. Credo
    Credo in unum Deum, Patrem
    omnipotentem,
    factorem coeli et terrae,
    visibilium omnium et invisibilium.
    Et in unum Dominum Jesum Christum,
    Filium Dei unigenitum, et ex patre
    natum ante omnia saecula, Deum de
    Deo, lumen de lumine,
    Deum verum de Deo vero. Genitum
    non factum,
    consubstantialem Patri; per quem
    omnia facta sunt. Qui propter nos
    I believe in one God, the Father, the
    Almighty,
    maker of heaven and earth,
    of all that is, seen and unseen.
    And in one Lord Jesus Christ, the only
    Son of God, eternally begotten of the
    Father,
    God from God, light from light,
    true God from true God, begotten, not
    made,
    of one being with the Father; through
    Him all things were made. For us and
    homines et propter nostram salutem
    descendit de coelis.
    Et incarnatus est de Spiritu Sancto,
    ex Maria virgine;
    et homo factus est.
    Crucifixus etiam pro nobis sub Pontio
    Pilato, passus et
    sepultus est.
    Et resurrexit tertia die secundum
    Scripturas,
    et ascendit in coelum, sedet ad
    dexteram Patris, et iterum venturus est
    cum gloria, judicare vivos
    et mortuos, cujus regni
    non erit finis.
    Et in Spiritum Sanctum Dominum,
    et vivificantem, qui ex Patre Filioque
    procedit,
    qui cum Patre et Filio simul adoratur,
    et conglorificatur, qui locutus est per
    Prophetas.
    Et unam sanctam catholicam et
    apostolicam Eccelsiam. Confiteor unum
    baptisma in remissionem peccatorum,
    et expecto resurrectionem mortuorum,
    et vitam venturi saeculi. Amen.
    for our salvation He came down from
    heaven.
    He became incarnate from the Virgin
    Mary by the power of the Holy Spirit,
    and was made man.
    For our sake He was crucified under
    Pontius Pilate; He suffered death and
    was buried.
    He rose again on the third day in
    accordance with the Scriptures; He
    ascended into heaven, and is seated at
    the right hand of the Father; He will
    come again in glory to judge the living
    and the dead, and His kingdom will
    have no end.
    And I believe in the Holy Spirit, the
    Lord, the giver of Life, who proceeds
    from the Father and the Son;
    with the Father and the Son He is
    worshipped and glorified. He has
    spoken through the prophets.
    I believe in one holy catholic and
    apostolic Church; I acknowledge one
    baptism for the forgiveness of sins; I
    look for the resurrection of the dead,
    and the life of the world to come. Amen.
    IV. Sanctus
    Sanctus, Sanctus, Sanctus,
    Dominus Deus Sabaoth.
    Pleni sunt coeli et terra gloria tua.
    Osanna in excelsis.
    Holy, holy, holy,
    Lord God of Hosts.
    Heaven and earth are full of your glory,
    Hosannah in the highest.
    V. Benedictus
    Benedictus qui venit in nomine
    Domini.
    Osanna in excelsis.
    Blessed is He who comes in the name of
    the Lord,
    Hosannah in the highest.
    VI. Agnus Dei
    Agnus Dei qui tollis peccata
    mundi,
    miserere nobis.
    Agnus Dei qui tollis peccata
    mundi,
    miserere nobis.
    Agnus Dei qui tollis peccata
    mundi,
    dona nobis pacem.
    Lamb of God, who takes away the sin of
    the world,
    have mercy on us.
    Lamb of God, who takes away the sin of
    the world,
    have mercy on us.
    Lamb of God, who takes away the sin of
    the world,
    grant us peace.
    Kwangena Thina Bo, arr. Lhente-Mari Pitout
    Kwangena thina bo
    Wemame
    Kwathul’umoya
    Lilizela, zela
    We are here, we are gathered (in this
    space)
    Oh mother
    The spirit is moved
    Ululate
    TaReKiTa, Reena Esmail
    Note from the composer:
    TaReKiTa is a vibrant joyful piece in a raga (an Indian classical melodic framework)
    called Jog, which incorporates both major and minor modalities into a single scale.
    The text syllables are onomatopoeic vocalizations of the sounds produced by
    Indian instruments.
    No Fairy Tale Here, music by Zanaida Robles, lyrics by Robin
    Watson
    “Once upon a non-fairy tale was a cocoa-hued tune in shades of blue,
    Good friends of she whose new business boomed brighter than the fireworks on
    Independence Day
    Majority observes jealousy, inflaming the cycle of insanity.”
    With a shattered, furious, frustrated, fiery heart,
    Her rigid pen fought a mighty battle.
    “Lies activated, cops called, innocence jailed.”
    Business literally explodes
    Then innocence is dragged out
    and turned into involuntary ornaments on the local tree.
    It’s not even Christmas yet.
    She finds out.
    Shattered, furious, frustrated, fiery is her heart.
    And now the rigid P.S.A.s begin.
    She morphs into a knight
    Her armor evolves with every word she types.
    “Southern Horrors” and “The Red Record” read like the scariest bulk of fiction
    And have an equal amount of bloodshed as the Civil War
    But they’re frigid facts, without a stain to be found.
    She shouted for humanity, and scolded the lack of.
    Without a touch, her verbiage stabbed
    Confederate flags, Jim Crow, white-sheet masked men,
    And leaders of the free world.
    “But it’s crazy that we still have to fight.”
    We Shall Walk Through the Valley, arr. Undine Smith Moore
    We shall walk through the valley in peace.
    If Jesus, himself, shall be our leader, we shall walk through the valley in peace.
    There will be no trials there.
    If Jesus, himself, shall be our leader, we shall walk through the valley in peace.
    Yemaya, arr. Diana Sáez
    Yemaya Assessu
    Assessu yemaya
    Yemaya olodo
    Olodo yemaya.
    A celebration of the moment when the
    river meets the ocean.
    Yemaya is the goddess of the ocean and
    the mother of all goddesses.
    Somebody to Love, Freddie Mercury, arr. Vince Peterson
    Can anybody find me
    Somebody to love?
    Ooh, each morning I get up I die a little
    Can barely stand on my feet
    Take a look in the mirror and cry
    Lord, what you’re doing to me?
    I have spent all my years in believing you
    But I just can’t get no relief, Lord
    Somebody (Somebody)
    Can anybody find me
    Somebody to love?
    I work hard every day of my life
    I work ’til I ache my bones
    At the end (At the end of the day) I take home
    My hard-earned pay all on my own
    I get down on my knees
    And I start to pray
    ‘Til the tears run down from my eyes
    Lord, somebody (somebody), somebody
    Can anybody find me somebody to love?
    Every day!
    I try, and I try, and I try
    But everybody wants to put me down
    They say I’m going crazy
    They say I got a lot of water in my brain
    I got no common sense
    I got nobody left to believe in
    Yeah, yeah, yeah!
    Oh, Lord
    Somebody (somebody), somebody (somebody)
    Can anybody find me somebody to love?
    Got no feel, I got no rhythm
    I just keep losing my beat
    I’m OK, I’m alright
    I ain’t gonna face no defeat
    I just gotta get out of this prison cell
    One day I’m gonna be free, Lord!
    (Find me somebody to love)
    (Find me somebody to love)
    (Find me somebody to love)
    (Find me somebody to love)
    Can anybody find me somebody to love?!
    Stomp on the Fire, Andrea Ramsey
    Note from the composer:
    “Stomp on the Fire” was conceptualized as an entirely human work, using only the
    sounds of the human voice and the percussive sounds of the body to create an
    expression of our human journey. The form of the work is encapsulated in three
    distinct sections. The opening has a mournful quality—an empassioned wail or cry
    for humanity. The second section begins a weary struggle against human injustice.
    After a percussive transition, the third section appears. In major, this section is
    meant to represent the beautiful diversity of humanity and the strength present
    when that diversity comes together in unity. The metaphorical fire is extinguished
    by the whole choir, together, in the final bars of the work.
    Hark, I Hear the Harps Eternal, arr. Alice Parker
    Hark, I hear the harps eternal
    Ringing on the farther shore,
    As I near those swollen waters
    With their deep and solemn roar.
    Hallelujah, hallelujah,
    Hallelujah, praise the Lamb!
    Hallelujah, hallelujah,
    Glory to the great I AM!
    And my soul, tho’ stain’d with sorrow,
    Fading as the light of day,
    Passes swiftly o’er those waters,
    to the city far away.
    Souls have crossed before me saintly,
    to that land of perfect rest;
    And I hear them singing faintly
    In the mansions of the blest.